I’ll admit I felt a little cheeky snagging An American in Paris for Serendipitous Anachronism‘s “France on Film” blogathon, despite what might seem like an obvious choice given the title. That’s because, as you may already know, An American in Paris‘ actual depiction of France is, in … Read More
That’s all there is, folks! Hope everyone had fun celebrating Frank’s official centennial yesterday, and catching up on all the great posts we’ve had throughout this blogathon. Thanks so much to everyone who posted, commented, read, or retweeted—Judy and I … Read More
Come fly with us and join the Sinatra Centennial Blogathon! As you’re probably aware, December 12 this year would have been Frank Sinatra’s 100th birthday. Many celebrations are being staged around the world to mark his Centennial – and now classic … Read More
Some classic movies sound good in theory, yet tend to wallow on Must See lists and Netflix queues rather than actual screens, as the timing may just never feel quite right to sit down and watch a heady 3 hour epic or … Read More
This post is part of the Cinemascope Blogathon, hosted by Wide Screen World and Classic Becky Brain Food. More widescreen goodness continues through March 16th—check out the whole schedule here! The Long, Hot Summer is a sticky Southern drama based … Read More
This post is part of the 31 Days of Oscar Blogathon, hosted by Paula’s Cinema Club, Outspoken & Freckled, and Once Upon A Screen. Check out all the posts here! Women have been a part of the film industry since the very beginning, … Read More
By the 1980s, the movie musical was… well, far beyond the time of transition. Since their heyday in the ’30s and ’40s, musicals had become limited to just a handful of movies per year, without a lot to choose from—Disney films for kids, pop hits designed to sell soundtracks, the occasional prestigious musical dramas, and the cheesy movies that seemed to capture everything cringeworthy of their era. For the studios financing the films, musicals were, to put it mildly, anything but a sure thing. That’s partly what makes Purple Rain such an interesting moment in film history—though it’s easy to see its significance 25 years after the fact, Purple Rain is still a weird, weird movie.
Few other performers can claim the title of “triple threat” so handily as Gene Kelly did with MGM in the 1940s and ’50s as an actor, a singer, and, of course, a dancer. But his career wasn’t limited to only those three titles; throughout the course of his professional life, he was also a producer, a director, a writer, a choreographer, and, all the while, an athlete. For a studio that claimed “more stars than there are in heaven,” Kelly was one of their brightest, an indelible association with the genre MGM took to new heights: the movie musical.
The Manchurian Candidate is a heady, political thriller from a heady, political time. Released in 1962, the film is set a decade prior, in 1952, yet still manages to tell a tale that rings recognizable for the past, present, and future; often prophetically ahead … Read More
Brian of the esteemed movie blog Rupert Pupkin Speaks has been hosting another of his wonderful “Underrated” series, this time focusing on the Detective and Mystery movie genre. He’s had a great line of movie folks submitting lists so far (and in fact, a bit dangerous in terms of rapidly expanding my queue of must-see movies), and today is my day!